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AN INTERVIEW WITH STEVE PERILLO

Steve Perillo, President of the high-profile Perillo Tours, is a fully trained and experienced musician. He recently produced a CD, ‘REQUIEM FOR A GOLDFISH,’ orchestral music performed by the Russian Festival Orchestra led by Yuval Waldman. It received a good press. Hornist-composer Deborah Thurlow talked with Steve at his house in Saddle Brook, NJ last spring.]

 

Some people think that musical talent is spawned by some family influence. But those of us in the musical field know otherwise. How does this apply to you? (What type of music did your parents or other family members listen to?)

I come from a non-musical family. The question of where you get intense interest in music from that situation is a mystery. You just get it. I don’t think anybody knows where the urge to produce music on a full time basis or on a large scale comes from. My parents listened to the popular music of their time, just as your average person, without any particular interest. That’s a disadvantage, because you tend to have a later start if you don’t have musical parents. The best combination is when you have musical parents and you have a strong inclination at the same time?

Did they like opera or go to musicals?

Nothing in particular. Just as your average person goes to a musical every couple of years. They were into the music of the 40’s and the 50’s, which I still love myself.

Any cousins of your generation that became musicians?

No, I’m the only one. Its pretty rare.

Even tracing back your family tree? There was no one? It was all business?

Come to think of it, I had an uncle who was a pianist.

There’s something. (Laughs). A pianist here or… ?

He was a pianist out in the mid-west. He was an outcast. He grew up on a farm with 13 brothers and sisters. And he was gay, but no one could admit that. So, he was always off to the side living a shadowed life. He probably used music as an outlet for the fact that he didn’t fit in. That’s part of the formula that turns someone into a musician. They want to communicate to other people in a kind of sideways fashion. Indirectly.

What music had an early impression on you?

Oh, American pop music of the 40’s, 50’s and 60’s. That had the earliest impression on me, and it still does. And it keeps on cropping up again and again. It wasn’t until high school that I heard Bach and the others. You know your basic classics -- the Brandenburg concertos and then Beethoven’s 9th. The majority of people will hear that music and just say “oh that’s nice.” But a very small percentage will say, “Wow, this is unbelievable.” I was smitten.

 

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